Ritzy Periwinkle – Supreme Goods and June 26th Group Show Written on June 25, 2010.

JEN E & RITZY P SUPREME GOODS : http://www.etsy.com/shop/SupremeGoods
Meet Jen E and Ritzy P. Supreme Goods. Their debut line includes Precious Pendants, Best-Ever Bowls and Tiny Treasures. Jen E, born Jen Kuroki, is a potter/art director based in LA. She’s played with clay for over 10 years. Three of those years she spent in Japan, developing her whimsical style that incorporates the vernacular of contemporary visual culture with a sense of tradition and history. Ritzy Periwinkle, aka Marisa Estrada, is a LA-based artist/designer with roots in urban art and music culture. Working in illustrations, graphics, mix media, and vinyl toys, she complements her gritty style with a light and positive vibe.
http://twitter.com/SupremeGoods
jenkuroki.com
ritzyperiwinkle.com

Ritzy P. is also part of a group show this Saturday, June 26th at Mid City Arts. “By The Time I Get To Arizona” also features work from El Mac, Retna, Mear, Kofie, Codak and more. http://midcity-arts.com/
Check the provocative promo video:


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See Submissions for the Jarritos Flavor City Art Contest Written on June 21, 2010.

A few submissions from The Jarritos Flavor City Art Contest: “Drink Out Loud” are now available for viewing and they set a high standard for the contest which will be judged by some of the most prominent members of the LA art community such as Retna, Amir Fallah of Beautiful Decay, Casey Zoltan of The Seventh Letter and Known Gallery, Roger Gastman of R. Rock Enterprises  and more.
http://www.flickr.com/photos/elementalc/sets/72157624200667197/

Jarritos Flavor City Art Contest
Jonathan Lutzky
Jarritos Flavor City Art Contest
Mike Maxwell
Jarritos Flavor City Art Contest
Ryan McCann

View all contest details

Submit your ad to ad@jarritosflavorcity.com by June 30th
http://www.JarritosFlavorCity.com

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Jarritos Flavor City Art Contest: “Drink Out Loud” Written on June 4, 2010.

The Jarritos Flavor City Art Contest: “Drink Out Loud” is looking for innovative Angelenos to describe what Jarritos means to you. We are looking for artists of all ages to develop eye-catching works of art in any medium to express the flavor and experience of Jarritos. Each art submission must incorporate the “Drink out Loud” slogan logo and at least one of the eleven Jarritos flavors. (fruit punch, grapefruit, guava, hibiscus, lime, mandarin, pineapple, strawberry, tamarind, mango, lemon-lime).

The judge panel is assembled by Los Angeles residents prominent within the art community: Estevan Oriol of SA Studios, Raymond Roker of URB Magazine, Roger Gastman of R. Rock Enterprises, Stephan Malbon of Frank 151, Amir Fallah of Beautiful Decay, Casey Zoltan of The Seventh Letter and Known Gallery, Mark The Cobra Snake, Retna, Brandy Flower of Hit and Run, Chris Grosso of GuerillaOne.com.

The winner of the Jarritos Flavor City Art Contest: “Drink Out Loud” will have their work published amongst our partner media outlets and formally displayed at the LA Downtown art walk on July 8, 2010. The recognition of your talents amongst the robust Angeleno art community will allow you to maximize your network and artistic exposure to thousands of people.
http://www.JarritosFlavorCity.com


Live Videos From Gregory Porter Written on May 26, 2010.

Soul/Jazz singer Gregory Porter displays his chops in the below videos taken from his recent live performance at NYC’s Smoke Jazz Club. If you appreciate real singers, you’ll enjoy Gregory’s effortless and timeless vocals.

More info on Gregory: http://www.motema.com/artist/gregory-porter

Free Download “Pretty”  – feel free to post/podcast:
http://motema.com/blog/?p=344

His debut album “Water”, just released on Motema Music, continues to be well-received:

“Porter as a songwriter brings the kind of lyricism to his songs that allow those tunes to fit comfortably with the songbook selections he included on Water….Porter’s jazz arrangement elevates “Lonely One” to classic status…[Porter's approach has] a freshness that  both jazz and soul fans should love.”
SoulTracks.com

“Another must have for any true jazz fan.” — Celebrity Cafe

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Video Trailer for Scion Presents: Palate Written on May 12, 2010.

Scion Presents: ‘PALATE’ curated by Zio Fulcher from Scion ART on Vimeo.

SCION INSTALLATION L.A. GALLERY PRESENTS: “PALATE”
International Artists Explore the Idea of Food as Muse and Medium

Opening Reception May 22, 2010, 7-10 p.m.
On view May 22 Through June 12, 2010

If cooking is an art form, then food is the most common medium of artistic expression in the world. Opening May 22, Scion’s Installation L.A. Gallery presents “Palate,” a group exhibition of internationally lauded artists in which food takes its rightful place inside the gallery.

Curated by Zio Fulcher, “Palate” features new works and installations by Clare Crespo, Jeph Gurecka, Scott Hove, Tamara Kostianovsky, Alan Macdonald, James Reynolds, Martha Rich and Jeff Vespa at Scion’s 4,500-square foot Installation Space in Culver City.

“Palate,” which means the sense of taste, but also references an artist’s palette, will showcase a wide array of food-related art from Martha Rich’s feminine, cake-laden illustrations to Alan Macdonald’s classically rendered paintings of pilgrims that feature the unlikely additions of grocery bags, baked beans and chips. “Palate” will also include James Reynolds’ series of photographs documenting Death Row inmates’ last meal requests, as well as Jeff Vespa’s giant Polaroids of fast food burgers. Scott Hove’s monstrous cake sculptures will be on display, as will Tamara Kostianovsky’s realistic sculptures of slabs of meat, which she makes with articles of clothing. Clare Crespo will crochet a smorgasbord of fun foods, and Jeph Gurecka will build an installation out of bread he bakes himself that explores the idea of food as sustenance.

The show will also include a large exhibit of retro candy wrappers, courtesy of Darlene Lacey of the Candy Wrapper Museum, a vintage cookbook library, and a wall of vibrantly colored hard-to-find sodas.

The opening reception takes place on May 22, 7 – 10 p.m. at the Scion Installation Space, 3521 Helms Ave. (at National), Culver City, CA 90232. The reception is free with complimentary valet parking and an open bar. All artists will be present, and available for interview. A number of local chefs will also be in attendance.

On opening night, there will be a raffle to win a free cooking class from EATZ. Located in Los Angeles, EATZ offers extremely personal cooking classes in a fun dinner party environment.

The exhibit will run until June 12.

Scion Presents Palate

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Jazz / Soul Singer Gregory Porter’s Eloquent Debut “Water” Written on May 10, 2010.

Jazz/soul vocalist Gregory Porter is hailed by Wynton Marsalis as “a fantastic young singer.” His debut album “Water” (May 11th, Motema Music) is eloquent and powerful. A frequent guest performer with the Jazz at Lincoln Center Jazz Orchestra, Porter also maintains a long-standing residency at Harlem’s venerable St. Nick’s Pub, and performs internationally. He will be starring in “Low Down Dirty Blues” in Chicago from May 27 – July 3.

More details on Gregory are below and also available is a free mp3 download of “Pretty”

More info on Gregory Porter

Critically Acclaimed Vocalist Gregory Porter Releases Debut Album and Stars in “Low Down Dirty Blues” in Chicago from May 27 – July 3

Gregory Porter - WaterWith a voice that can caress or confront, embrace or exhort, Gregory Porter exhibits such an incredible degree of vocal mastery that no less a jazz luminary than Wynton Marsalis has gone on record to call him “a fantastic young singer,” which makes the fact that Water (out on May 11 from Motema Music) is his recording debut even more impressive.

A debut release it may be, yet Water flows with a sense of timelessness that reflects the seasoned talents of the giants of blues, gospel and soul that have influenced Porter throughout his career. Some of the singers that Porter cites as influential are familiar – Nat King Cole, Joe Williams and Donny Hathaway – and others – such as the pastor of the church he attended as a child among them – may never realize their impact on his development as an artist. While the work of singers such as Hathaway or Cole obviously helped to shape Porter’s vocal styling, his own world view, as evidenced in his seven original compositions and his striking interpretation of classic songs such as “But Beautiful” and “Skylark,” adds an emotional intensity that makes each of the CD’s eleven tracks speak so eloquently.

For the recording, Porter tapped a powerful cadre of strong players, among them the iconic alto sax player James Spaulding (Max Roach, Freddie Hubbard, and Bobby Hutcherson, et al) who plays a featured role on two tracks: “Wisdom” and “Black Nile.” The CD was produced by saxophonist, pianist and composer Kamau Kenyatta, who Porter refers to as his “best friend.”

In fact, it is Kenyatta who bears much of the responsibility for Porter’s career trajectory, which can be traced back to Porter’s early days singing in small jazz clubs in San Diego. He lived there while at San Diego State University which he attended on a football scholarship, as an outside linebacker, until a shoulder injury sidelined him permanently. Recognizing his talents, Kenyatta – along with saxophonist Daniel Jackson (Ray Charles, Buddy Rich, Art Farmer and more) – nurtured the burgeoning performer, and, as Porter says, “taught him what he needed to know.” Kenyatta invited Porter to visit him in the studio in Los Angeles, where he was producing the flutist Hubert Laws’ Remembers the Unforgettable Nat King Cole. Certainly Kenyatta was aware of Porter’s childhood infatuation with Cole’s music, and certainly he could hear the echoes of Cole’s mellow baritone in Porter’s own voice. What he could not have predicted was that when Laws heard Porter singing along when he was tracking the Charlie Chaplin-penned “Smile,” the flutist would be so impressed with the young singer that he would choose to include a ‘bonus’ track of Porter singing the song on the album.

Just as serendipitous was Laws’ sister, Eloise’s, presence that day in the studio. A highly respected singer and recording artist in her own right, Eloise was about to join the cast of a new musical theater work, “It Ain’t Nothin’ But the Blues.” Although he’d only had minimal theatrical experience to that point (in the Doo Wop musical “Avenue X”), Porter eventually was cast in one of eight lead roles when the play opened in Colorado at the Denver Center for the Performing Arts, and eventually followed it to Off-Broadway and then Broadway theater, where the NY Times, in its 1999 rave review, mentioned Porter among the show’s “powerhouse line up of singer.” “It Ain’t Nothin’ But the Blues” went on to earn both Tony and Drama Desk Award nominations that year.

Although he now says, “I never felt that my career was going to be strictly in the theater,” Porter’s success on stage with “It Ain’t Nothin’ But the Blues” paved the way for another theatrical outing and pairing with Eloise Laws. In his semi-autobiographical “Nat King Cole and Me,” he dramatically documented his childhood, which was marked by an absentee father and the joy and pain he heard when listening to his mother’s Nat King Cole records. Apparently, one day, when his mother heard her young son singing along, she remarked that he sounded like Cole. This led to a rich imaginary life where the young Porter actually believed that the legendary crooner was indeed his dad, and that the love songs Cole sang were secretly being sung to him. Porter’s moving “Nat King Cole & Me” ran for two very successful months at the Denver Center for the Performing Arts and has since travelled to Houston, TX (without Porter’s involvement.)

The intimacy of Porter’s “Nat King Cole and Me,” revealed a courageous thespian, who bravely shared his life story with his audience, so it’s hardly surprising that many of the songs on Water come also from an emotional place. The CD opens with the ruminative “Illusion,” an exquisite duet between Porter and pianist Chip Crawford, which the singer says was inspired by the pain that will accompany every relationship at one time or another. The song ends with Porter exhaling a quiet sigh – whether it’s one of resignation or acceptance depends, he says, on perspective. “Love makes us all crazy,” he says. “Pretty,” a soulful tribute to a woman from Porter’s past, is an understated ensemble piece that is bolstered by the alto sax work of Yoske Sato.

“I love coffee,” says Porter, “and ‘Magic Cup’ was written for a beautiful friend who works at my favorite coffee shop.” Percolating with a smooth energy heightened by frenetic sax breaks courtesy of Sato, the song is as rich as a morning cup of French roast. Porter’s effluent baritone does the Hoagie Carmichael/Johnny Mercer standard, “Skylark,” more than justice, while his rendition of Wayne Shorter’s “Black Nile” continues to emphasize the theme of water that runs throughout the CD and features veteran sax player James Spaulding.

Porter contributed the lyrics to “Wisdom,” the melody of which was written by one of his mentors, Daniel Jackson. Spaulding’s saxophone lends a haunting air to the song, which, Porter says in retrospect could very well be about post-Katrina New Orleans. Emphasizing his gospel roots with lyrics that echo the traditional biblical song “Wade in the Water,” Porter metaphorically positions water as an impediment, and wisdom as the means to overcome it. Water’s most overly political song is “1960 What?,” inspired in part by Kamau Kenyatta’s stories of life in Detroit and by the 1963 assassination of Martin Luther King, as well as by his own experiences growing up in Los Angeles.

“I’ve always loved ballads, and ‘But Beautiful’ is one of my favorites,” says Porter of the standard, on which his vocals and Chip Crawford’s piano share center stage. The mournful “Lonely One” paints a lyrical picture of a tragic love story, while the CD’s title track reiterates the artist’s use of water as metaphor for redemption, cleansing, history and survival. Water’s coda is a raw yet soulful Mahalia Jackson-influenced a cappella version of the classic “Feeling Good.”

Born in Los Angeles, raised in Bakersfield, and now living in the Bedford-Stuyvesant area of Brooklyn, Gregory Porter has made the world his musical home. A frequent guest performer with the Jazz at Lincoln Center Jazz Orchestra, Porter also maintains a long-standing residency at Harlem’s venerable St. Nick’s Pub, and performs internationally. “I’ve been to Russia about 17 times,” says Porter. “I now can make a mean borscht.”

Immediately following the May 11 release of Water, Porter will once again return to the stage for a month long run at the Chicago area Northlight Theatre, starring in the world premier of “Low Down Dirty Blues” May 27 – July 3rd. Visit northlight.org for more information.

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Scion Presents: “Palate” – Food As Muse and Medium Written on May 10, 2010.

SCION INSTALLATION L.A. GALLERY PRESENTS: “PALATE”
International Artists Explore the Idea of Food as Muse and Medium

Opening Reception May 22, 2010, 7-10 p.m.
On view May 22 Through June 12, 2010

If cooking is an art form, then food is the most common medium of artistic expression in the world. Opening May 22, Scion’s Installation L.A. Gallery presents “Palate,” a group exhibition of internationally lauded artists in which food takes its rightful place inside the gallery.

Curated by Zio Fulcher, “Palate” features new works and installations by Clare Crespo, Jeph Gurecka, Scott Hove, Tamara Kostianovsky, Alan Macdonald, James Reynolds, Martha Rich and Jeff Vespa at Scion’s 4,500-square foot Installation Space in Culver City.

“Palate,” which means the sense of taste, but also references an artist’s palette, will showcase a wide array of food-related art from Martha Rich’s feminine, cake-laden illustrations to Alan Macdonald’s classically rendered paintings of pilgrims that feature the unlikely additions of grocery bags, baked beans and chips. “Palate” will also include James Reynolds’ series of photographs documenting Death Row inmates’ last meal requests, as well as Jeff Vespa’s giant Polaroids of fast food burgers. Scott Hove’s monstrous cake sculptures will be on display, as will Tamara Kostianovsky’s realistic sculptures of slabs of meat, which she makes with articles of clothing. Clare Crespo will crochet a smorgasbord of fun foods, and Jeph Gurecka will build an installation out of bread he bakes himself that explores the idea of food as sustenance.

The show will also include a large exhibit of retro candy wrappers, courtesy of Darlene Lacey of the Candy Wrapper Museum, a vintage cookbook library, and a wall of vibrantly colored hard-to-find sodas.

The opening reception takes place on May 22, 7 – 10 p.m. at the Scion Installation Space, 3521 Helms Ave. (at National), Culver City, CA 90232. The reception is free with complimentary valet parking and an open bar. All artists will be present, and available for interview. A number of local chefs will also be in attendance.

On opening night, there will be a raffle to win a free cooking class from EATZ. Located in Los Angeles, EATZ offers extremely personal cooking classes in a fun dinner party environment.

The exhibit will run until June 12.
art images: http://www.flickr.com/photos/scionart/sets/72157623793640499/

About the Artists
Clare Crespo wrote the popular and wildly creative cookbook/art books The Secret Life of Food and Hey There, Cupcake. Both books received enthusiastically positive reviews in magazines such as Vanity Fair, Food and Wine, Life Magazine, Newsweek and The New York Times, among others. The books’ success led to appearances on programs such as The Today Show, Good Morning America, The Food Network’s Extreme Cuisine and Throwdown with Bobby Flay. Crespo recently completed a set of children’s DVDs called The Yummyfun Kooking Series.

Jeph Gurecka has exhibited worldwide, and his work is in numerous international collections. Gurecka has been awarded many fellowships and residencies, including The Pollock-Krasner Foundation Grant and the FUTURA Projects’ residency in the Czech Republic.

Scott Hove is a self-taught artist from the Bay Area. His work encompasses a broad variety of media, from sculptural installations to painting. These works reflect on the relationship between the natural world and mechanical civilization, and the drama that occurs during this interaction.

Tamara Kostianovsky was born in Jerusalem, Israel, and grew up in Buenos Aires, Argentina. She was awarded grants from NYFA, the Pollock-Krasner Foundation, the Pennsylvania Council on the Arts, and was a finalist for the Pew Fellowships in the Arts. Solo exhibitions include Black and White Gallery, The Philadelphia Museum of Jewish Art, and El Centro Cultural J.L. Borges. Her work recently appeared on the cover of the journal of food and culture, Gastronomica.

Darlene Lacey started collecting candy wrappers 33 years ago. She has since founded the Candy Wrapper Museum, an extensive archive of candy wrappers and related ephemera that has been featured on the Food Network’s Unwrapped. Lacey maintains the website candywrappermuseum.com.

Alan Macdonald was born in Malawi, Central Africa, and currently lives and works in Scotland. He has exhibited around the world, and his paintings are in public, private and corporate collections worldwide, including EMI, Kayley Hong Kong and WorldCom.

James Reynolds is a London-based artist specializing in graphic design, advertising and photography. His work will appear in the upcoming book Urban Interventions, and he is due to exhibit at a human rights exhibition for Amnesty International.

Martha Rich’s work has been shown in Los Angeles, New York, Washington, San Francisco, Portland and Chicago. She is currently studying for an MFA in painting at the University of Pennsylvania.

Jeff Vespa is an artist, celebrity photographer and co-founder and executive vice president of the global digital photographic agency, WireImage. In April 2009, he was named the editor-at-large of the new incarnation of LIFE Magazine, LIFE.com. Vespa’s photos appear regularly in publications including Vanity Fair, Vogue, Time, Newsweek, People, GQ and the Wall Street Journal.

About the Curator
Zio Fulcher is a Los Angeles-based writer and editor, art and culture specialist and gastronome. Zio served as managing editor of Swindle magazine, the definitive pop culture publication co-founded by Shepard Fairey, and has contributed to numerous books including Saber: Mad Society, Juxtapoz: Illustration and Juxtapoz: Poster Art, as well as the upcoming book The History of American Graffiti.

More information on this exhibition is available at www.scion.com/space.

Marc Cary – Focus Trio Live 2009 Written on April 16, 2010.

Accomplished musician/producer Marc Cary, who has worked with Q-Tip, Erykah Badu and more, releases new album on Motema Music.

Free MP3 download of “Attachment”

More info on Marc Cary

“The FOCUS project is one that seeks to cross-pollinate.”
-The Boston Globe

“… the ‘most multi-dimensional’ keyboard player on the scene today…”
- Downbeat

Motéma Music presents MARC CARY FOCUS TRIO Live 2009

“If you ‘re going to learn jazz, you should have something to bring. Cats don’t think about bringing much, they just want to see what they can get from the music.
It’s a two way street.”
- Marc Cary

Marc Cary Focus Trio Live 2009

Hailed by Down Beat as one of the most, “multi-dimensional keyboard players on the scene today,” whose music reveals those multi-dimensions in sensual living color, Marc Cary’s continual search for his musical identity has brought him to all corners of the earth, quenching his thirst to bring forth indigenous musics in all of their forms.

His latest offering on this journey will embark on April 13th, as Motéma Music releases their third Cary project, Focus Trio Live 2009, the follow up to his earlier live release, Focus Live 2008. Recorded live at select festivals across Europe and the US , Focus Trio Live 2009 features Cary ‘s longstanding trio: on tabla and drums, Sameer Gupta and on bass, David Ewell, both of whom he met on the west coast. With inimitable style, Cary drives the trio towards hard-hitting turns, fusing together indigenous East Asian, Indian, African, and Native-American influences within the African-American blues and jazz traditions, as only a player with his undeniable talent can manage to do while simultaneously claiming new virtuosic territory.

The Boston Globe said of the group, “Marc Cary coming from a traditional jazz background lays the musical foundation, incorporating his Native American roots. However, Gupta and Ewell also season the sonic landscape with their Indian and Chinese roots. Gupta incorporates classical Indian rhythmic and melodic concepts. With David Ewell ‘ s bass playing you can hear tonal centers that are based around scales you may hear in traditional Chinese music. The FOCUS project is one that seeks to cross-pollinate.”

A member of the High Integrity Band and later connected with Let Um Play and the Frontline Jazz Ensemble, Cary was among the pioneers of Washington, D.C.’s infamous “GO-GO” rhythms that defined that musical scene and are continuously being referenced in hip-hop and jazz. His family carries a musical tradition: his great-grandmother played piano at local movie houses, her partner was Eubie Blake; his mother is a visual artist and father played trumpet. By 18, he found himself playing with the Dizzy Gillespie Youth Ensemble at Wolf Trap. He has earned four Grammy® nominations for his ensemble work, most recently in 2009 for “Best Contemporary Jazz Album” as a participant in Stefon Harris ‘ s Blackout. His production work on Q-Tip ‘ s The Renaissance helped earn that disc a nomination for “Best Rap Album” of 2009. Cary’s seminal masterwork, Rhodes Ahead Vol 1., released in 2000 and considered by many to be a classic, earned him the first Annual Billboard/BET “Best New Jazz Artist Award.” His collaborations in all musical genres across the board include work with Meshell Ndegeocello, Dizzy Gillespie, Betty Carter, Arthur Taylor, Abbey Lincoln, Erykah Badu, Max Roach, Shirley Horn, Ani DiFranco, Wynton Marsalis and Roy Hargrove, among others.

Now, with Focus Trio Live 2009, Cary returns to a live acoustic setting to showcase a collection of both standards and original compositions – 11 incendiary tracks, 10 of which Cary has never recorded. “Minor March,” a Jackie McLean tune originally featured on Focus 2008, is taken to new synergistic heights here.

Cary’s series of recordings for the Motéma label began with his label debut, Focus (2006) and continued with the digital release of Focus Trio Live 2008 (digitally co-released in 2009 with Marc’s ‘Caryout Productions).  In 2011 Cary will return with a studio project expected to be recorded in Summer/Fall of 2010.  In addition, there are two other exciting Cary Out projects in the works: Cary Out Productions is planning a collaboration with Motéma to begin a new digital series, where Marc will release a brand new single every month on the Motéma website – each single exploring the various areas of interest in Cary ’s musical journey. The first single will be a brand new GO-GO track, release date tentatively slated for August.  In addition, coming this Fall, is an Indian music focused project entitled Namaskar, that is co-produced by Marc with his Focus Trio partner, Sameer Gupta, and reveals yet another facet of Marc’s multi-dimensions.

Roger Gastman Curates “Rooms” For Scion Written on April 6, 2010.

Scion Presents: ‘ROOMS’ from Scion ART on Vimeo.

SCION INSTALLATION L.A. GALLERY PRESENTS “ROOMS”
Eight Artists Each Create a Unique Room Installation of Their Design

Opening Reception April 24, 2010, 7-10 p.m.
On view April 24 Through May 15, 2010

Opening April 24, Scion’s Installation L.A. Gallery presents “Rooms,” a group exhibition curated by Roger Gastman that brings eight diverse artists together under one roof.

“Rooms” will feature unique installations and new works by Kime Buzzelli, Adam Wallacavage, Dueling VHS, Chris Stain, Bill Daniel, Justin Van Hoy, Rocky Grimes, and Dan Monick with Caitlin Reilly. For the exhibition, Scion’s 4,500-square foot Installation Space in Culver City will be built out and subdivided into eight individual spaces. Each space will be assigned to an artist, who will create a room from their imagination. In addition, the artist’s work will be hung on the walls of their designated room, and be available to purchase.

Kime Buzzelli will create a teenage girl’s bedroom complete with vintage frocks, collected objects and her feminine, fanciful art; Adam Wallacavage’s custom chandeliers and frocked wallpaper will fill his guest room; Dueling VHS will build a wood-paneled basement with TVs playing their hilarious episodes; Chris Stain’s stencil work will adorn the archway leading outside; Bill Daniel will craft the bedroom of a suburban teenager gone bad with a tent of punk T-shirts, bike parts and crumpled homework; Justin Van Hoy’s re-worked NBA logo screen prints will hang in the room of an obsessed NBA fan circa the early 1990s; Rocky Grimes’ classroom will be filled with desks, doodles and large cutout human figures; and Dan Monick and Caitlin Reilly’s room will become a bus stop at night with portraits of passengers and surrounding scenes installed in light boxes.

The opening reception takes place on April 24, 7 – 10 p.m. at the Scion Installation Space, 3521 Helms Ave. (at National), Culver City, CA 90232. The reception is free with complimentary valet parking and an open bar. All artists will be present, and available for comment. The exhibit will run through May 15.

About the Artists

Kime Buzzelli is an Ohio-born artist based in Los Angeles. She creates paintings, illustrations and fashion-based installations. Her work is often inhabited by wicked women, secret societies, and layered with text that taps into her fascination with the drama of other people’s lives. Her work has been exhibited throughout the world.

Adam Wallacavage is an accomplished photographer, documenting artists, musicians, daredevils and all things weird and wonderful. His first book, Monster Size Monsters, was released in August of 2006 through Gingko Press and spans 15 years of his photography.

Dueling VHS is a comedic cinematic short film variety show. The core group responsible for Dueling VHS is Larry Langton, a comedian and filmmaker who has worked for broadcast news outlets including CNN, NBC and FOX; Trevor Crafts, the CEO of Full Mind Creative; Santo D’Asaro, a producer, actor, writer and comic; and Jeremy Hoar, a writer director and producer of comedy, music and documentary films.

Chris Stain is a Baltimore-based artist who combines inspiration from New York subway graffiti and the basic screen-printing techniques of stenciling. His work can be seen in the view of the social-realist movement of the 1940s Works Progress Administration, where the struggles of daily life are documented for all to witness.

Bill Daniel is a self-trained itinerant filmmaker and photographer. He began documenting American subcultures starting with the Texas skate/punk scene in the early 1980s. His film on the history of hobo graffiti, Who is Bozo Texino? has screened in over 350 venues worldwide.

Justin Van Hoy was born in Charleston, South Carolina, in the winter of 1981. He is a freelance art director, designer and co-founder of THIS Los Angeles.

Rocky Grimes taught himself how to screen print, and has since shown his work all over the United States, including the Art Center of S. Florida, Scion Space and the Aqua Art fair. His work has also been added to the N. Miami Museum of Contemporary Art’s permanent collection.

Dan Monick and Caitlin Reilly live in Los Angeles. Monick is a photographer, whose work has been featured in numerous publications including Interview and Rolling Stone. Reilly is an art director who has helped create sets for David LaChapelle, Matthew Ralston and David Lynch.

More information on this exhibition is available at http://www.scion.com/space

French as Funeral Fog – Video Interview Written on March 22, 2010.

French and Alan Glass are Funeral Fog. They discuss how they broke into a graveyard to shoot their short “Summoning of Infernal Legions” which is part of Scion’s Installation 6: Video national art tour. The tour opens in Wichita, KS March 26th.
http://www.scion.com/installation

Scion Installation 6: Video – French as Funeral Fog Interview from Scion ART on Vimeo.

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